问题描述：
小学生的
问题解答：
Newman Huo
WHAT is Shenzhen like in the eyes of professional photographers?
The exhibit “My City, My Hometown” at the Shenzhen Art Museum gives a range of answers. The exhibition runs through Sunday.
The show features more than 100 works by seven Shenzhen-based photographers and photojournalists, Yu Haibo, Zhang Xinmin, Jia Yuchuan, Ya Niu, Wang Fan, Luo Kaixing and Yang Junpo.
Zhang Xinmin, photojournalist with the community newspaper Shekou News, has been focusing on rural migrants from inland provinces for the past 15 years.
In 1989, one year after he moved from Sichuan Province to Shenzhen, Zhang lost his first job in the city.
Zhang said the experience motivated him to photograph rural migrants with whom he believed he shared the same background and destiny.
During the 1997 Chinese New Year holidays, Zhang shot a series of photographs of more than 1,800 migrant workers living in a row of 93 tiny ramshackle shanties in Wanfeng Village, Bao’an District.
Capturing a very different Shenzhen, Yu Haibo, photojournalist with the Shenzhen Economic Daily, is showing “The Impulse to Music of Shenzhen Youth.” The photographs won the gold prize for the Arts and Entertainment News (Series) in the first China International Press Photo Contest (CHIPP).
Taken in April 2004, Yu’s photographs show a concert featuring 12 bands from the city. Yu said he had been photographing these local bands for six years, spending weekends and holidays with them, experiencing their joys and sorrows.
Jia Yuchuan, photojournalist with the Daily Sunshine, shows his controversial photographs of a group of transsexuals living in Shenzhen.
Luo Kaixing took a very different approach to Shenzhen. As a photographer working for a local real-estate advertising company, Luo depicts his feelings of living in a burgeoning city of migrants by turning away from the city with a series of black and white landscape photographs
乘车从井冈往庐山，由南至北穿越江西省，到达庐山已是晚上八点。上山一路漆黑，只有车灯所及之处可以见物。驶上最后一段上坡路的尽头，倏然猛见迎面扑来的大片灯火，遍布在隔空相对的山坳中。虽都是不过数层的小楼，窗口透出朴素的荧光灯，静静伫立，却自有其安宁温婉之处。一车昏昏欲睡人困马乏之徒，便知粮草居宿有了着落，精神为之一振！
庐山与井冈山相反，被认为是革命走下坡路的象征。因地处江南，相邻南京，交通便利，庐山自古便是王侯将相、文人骚客亲睐的旅游胜地。白居易曾被贬在此做官，写下“人间四月芳菲尽，山寺桃花始盛开”的名句，现已成了褒誉庐山为避暑胜地的广告词。另外还有“横看成岭侧成峰，远近高低各不同”，“飞流直下三千尺，疑是银河落九天”等耳熟能详的名句，皆是形容庐山的美景。
作为国家地质公园，其风景尚可，见惯了蜀中的秀丽山水，已不想在其景色上着墨；作为历来国家领导人御用的避暑胜地，山上春日的早晚仍是凉意沁人。而山上的牯岭镇，白云深处竟是居民游人如织，二十世纪初始建的多栋西式别墅，掩映在坡地绿树之中，倒是别处难以得见的景致。目之所及蜿蜒起伏的道路两旁，旧时的处所，历史的痕迹，走来别有一番滋味。
《庐山恋》这部电影是知道的，已不记得幼时是否看过。牯岭镇上唯一的电影院，每天轮番放映该片两遍，日复一日。白日里游过的花径、如琴湖、仙人洞、御碑亭等景点，在夜晚的影片中一一温习。二十多年前夸张造作的表演方式，现在觉得滑稽，时常引起电影院里一阵哄笑，倒可放松登山后疲惫的神经。
美庐是1904年外国友人所建的西式别墅，后为宋美龄的私产。蒋离开大陆前，在院内的卧石上书“美庐”二字，以此得名。现室内布置大多照旧，时间为家俱陈设镀上了岁月的意味。徜徉在斜阳映射的走廊，漫步于爬满藤蔓的墙下，回顾历史，感慨万千。
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